Definition from Wikipedia:
“Geisha (芸者) or geigi (芸妓) are traditional female Japanese entertainers. They are skilled at different Japanese arts, like playing classical Japanese music, dancing and poetry. Some people believe that geisha are prostitutes, this however is false. The term “geisha” is made of two Japanese words, 芸 (gei) meaning “art” and 者 (sha) meaning “person who does” or “to be employed in”. The most literal translation of geisha to English is “artist”. Geisha are very respected and it is hard to become one.”
There are many more in depth definitions of the geisha but my inspiration is based on their extensive training and specialized skills pertaining to various art forms.
Years ago I did a series of paintings in watercolor and I decided to revisit the same subject using a miniature format with encaustic and oil pastel. I love the translucent depth created with wax medium.
Geisha in this series is my way of portraying simplicity, serenity, the vibrant color of life, with a strong sense of female independence and knowledge.
Finally, after at least a decade (or two) of apprehension, I decided to take a workshop to learn how to paint portraits. Lora Murphy is an Irish artist I met a few years ago, and in September I attended the “Art and Soul Journey”, a 10 day trip to Ireland to learn about the people, places, and culture. The trip included art workshops offered by her and Kathryn Bevier at the Burren College of Art. I put what I learned from Lora on the back burner of my brain until most recently when I had to force myself to finally practice what she taught! It’s intimidating, trying to capture the essence of a personality, combined with accurate physical features. After several failed attempts I overcame insecurities and felt pretty good about this most recent self portrait attempt.
I used Lora’s color palette (her paints combine microcrystalline with encaustic) along with a strong contrast between lights, darks, shadows, and mid tones. Using her paints reminded me of watercolor – maintaining a focus on translucent layers and washes of color, always striving toward keeping the colors crisp and clean.
The portrait of Haley was challenging because there were very few shadows in the photo I used for reference. I tried to keep the skin tones pure and focused on facial planes more than the contrasting shadows.
Hopefully I will continue to practice painting portraits, I have my adult children I can use as models. It makes a difference to me that I am familiar (intimately) with the subject matter.
My self-portrait is currently included in “It Figures, 2017” at ARC Gallery