About the Artist

Artist Statement:

I am inspired by the ever-changing colors in the seasonal landscape. Nature’s palette offers a range of wild intensity to subdued tranquility. I listen to and notice the environment, finding themes and subjects in everyday life. Creating visual depth, texture, or movement are the guiding forces in my work. I use pure color combined with shape and form to re-create energy on a flat surface.

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Robin Samiljan grew up on the North Shore of Chicago, attended Vanderbilt University in Nashville where she majored in art history, graduated with a Bachelor of Arts degree in 1979, and eventually moved to the North Shore of Boston in 1988. The regional beauty of the New England landscape immediately captured her attention while she re-created nature’s gifts by way of visual art. As a life-long learner, Samiljan studied watercolor painting with local artist Nordia Kay and Vermont artist Jeanne Carbonetti. She joined various art organizations, and after several years of participating in the arts community became president of the Swampscott Arts Association. Samiljan transformed the organization during her five-year presidency and was instrumental in developing an online presence to promote the association’s shows and events. She was an active board member at the Marblehead Arts Association and also became head of their art committee. Montserrat College of Art invited her to teach watercolor painting in 2006 as part of the continuing education program, and her classes ran until her move back to Chicago in 2013.

Samiljan attended graduate school as a mid-career artist in 2008. It was during the studio residency portion of the Master of Education curriculum at Endicott College when she explored encaustic painting. Her work began to take on new depth in multiple art mediums. She also attended encaustic workshops taught by Tracy Spadafora at the 4th International Encaustic Conference, Laura Moriarty at the Truro Center for the Arts, and the "Art and Soul Journey 2017" taught by Kathryn Bevier and Lora Murphy at the Burren College of Art in Ireland. Encaustic painting combines beeswax mixed with pigment and resin, melted and applied to a surface that is then fused with heat. Sculptural qualities achieved using wax have become a welcome addition to her impressionistic paintings. Most recently, Samiljan has been painting with alcohol inks, combining the heavily saturated inks with abstracted collage elements.

As a juried artist member of the Copley Society of Art in Boston and an active exhibitor, Samiljan has established a dedicated following. Both Children’s Hospital and Newton-Wellesley Hospital have purchased multiple series of her works for their permanent collections. These paintings contribute to providing the peacefulness and tranquility the hospitals strive to create for their patients and visitors. Twenty-five years later, she has moved her home back to Chicago and has found new inspiration developing a patronage in the Midwest and beyond. She is currently teaching weekly classes at the Evanston Art Center and the North Shore Art League. Ms. Samiljan also maintains representation at Chicago Art Source Gallery along with the Copley Society of Art in Boston, and exhibits during warmer months in local, seasonal art festivals.


Summer issue, volume 38

The Copley Society of Art is proud to present Miniature Moments, a solo show of encaustic works by Robin Samiljan.

Evanston artist Robin Samiljan’s work will travel all the way to downtown Boston.

Our featured artist,  Robin Samiljan, is one of the new artists included in the Chicago Art Source Gallery Winter Show  

Summer issue, 2013

It’s difficult to decide what to show when you have so much accumulated artwork, especially if you’re Robin Samiljan...

Tranquility and peace permeates the watercolor paintings of Swampscott artist Robin Samiljan...

It's close to midnight, maybe just a few minutes before, and Robin Samiljan is standing in her backyard, surrounded by vibrant plants and trees...

Local watercolorist Robin Samiljan merges art with poetry in her new work.


"Inspiration for 'A Year of the Full Moon' came each month when the moon was full. After viewing the moon I painted the way it made me feel rather than what I actually saw."