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New-Old Direction & Holiday Shows

This past weekend, I taught an encaustic “sampler” workshop at the Evanston Art Center. We used various mixed media materials that combine effortlessly with wax. In the demo painting below, mulberry paper creates a translucent linear wave pattern, I then added white shellac and oil pastel to highlight the setting sun over the ocean waves. There is something very beautiful in simplicity and I hope to continue exploring the “less is more” concept.

One of my older watercolors below, and most likely the subconscious inspiration for the above encaustic painting.

Another new direction: Pea Pods

I built an armature base, coated the wire with plaster, then shaped the plaster and added encaustic medium to the assemblage.

Wax is poured into the cradled panel in order to secure various parts. Building armature for encaustic is a new addition to the weekly techniques we cover in classes. I resume teaching after the new year at both the Evanston Art Center and the North Shore Art League.

Class info available here:

Evanston Art Center

North Shore Art League

Holiday Shows:

Next week, show opening and artist reception will be featuring students who attend my classes at the North Shore Art League.

Currently, I am also exhibiting at the Evanston Art Center in their annual holiday art expo. Below is a photograph of some of my miniature paintings being featured all month.

 

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Summer Inspiration

Garden Vows
mixed media on board
3.5” x 2.5”
Garden Walk
mixed media on board
2.5” x 3.5”
Red Roses
mixed media on board
3.5” x 2.5”

I recently visited the Chicago Botanic Gardens knowing I would find visual inspiration. The colors of gorgeous velvety red roses in the Rose Garden, to the perfectly manicured bonsai and pine trees in the Japanese Garden, were a gift. In the English Walled Garden, I watched as wedding vows were exchanged, the scene felt like a chapter out of a fairy tale. I knew this would become the subject for a new painting.

Seeing the vibrant colors of lotus and lilies, wildflowers and roses, were a wake-up call. My eyes had been resting for too long this summer, and the newest series of miniature paintings (above) remind me of what we often take for granted… the purity of nature’s beauty and gifts.

Next weekend I’ll be exhibiting at the Evanston Art and Big Fork festival. If you are local and interested in seeing great art from 130 exhibitors, live music combined with loads of food and beverages, definitely make the time to visit. I’ll be in booth #133.

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New Oil Paintings

I continue to be inspired by my visit to the Burren in County Clare, Ireland last September. A new body of work is slowly starting to emerge in my studio, and I am in the midst of it all.

One of the challenges for this series has been my desire to incorporate a variety of mediums. To date: encaustic, oils, mixed media, even encaustic collagraphs, all depicting the Irish landscape, have started to take form.

Green Valley
oil on canvas
24” x 18”

 

Light in the Burren
oil on canvas
12” x 24”

The newest additions to the series are posted above. Working with oil paints has been an education in itself! I used photos I had taken and after establishing the general composition reached a point where I stopped looking at the photos and focused on re-creating a feeling rather than being exact to the actual photo. Color mixing has been a challenge as the oils beg to be combined; using a limited palette has forced me to learn color theory at it’s core. Most important to these landscape paintings has been to create wide open space, big sky, along with a purple tinge in the rolling limestone hills and mountains reflected by sun (or lack of it).

My next painting will feature the incredible stone walls seen during a visit to the Aran Islands. How can I have a series inspired by the Irish landscape without incorporating a stone wall or two?