Revival; before and after

By rsamiljan | March 26, 2019 |


Springtime is when I have to start planning my exhibition space for the upcoming summer festival season. It forces me to review art inventory, and re-assess what paintings are “show worthy”, and those that need to be re-worked. Ever since I started incorporating alcohol inks into encaustic medium, I have found a new way to create visual energy on a two dimensional surface.

A painting of clouds and water in the sky.

Beach Memories, 16″x20″ final version

A painting of the sky and water

Beach Memories, before the addition of inks

 

I have taken a handful of older paintings and made them new again by fusing the inks into the wax base. The two mediums compliment each other and the translucent layering captures motion and depth.

A painting of a field with grass and trees

Goldenrod, 12″x12″ final version

A painting of a field with yellow flowers

Goldenrod, before the addition of inks

 

I worked with an encaustic monotype as the base layer for the first time (seen below), then added layers of wax medium combined with alcohol inks. I love the way the inks loosen and free up the composition.

A painting of trees and sky with yellow ground

Mountain View, 8″x8″ final version

A painting of a hilly landscape with trees

Mountain View, monotype before the addition of wax and ink

 

I am also working with cradled panels as a ground (rather than papers), adding the inks first, then combining wax medium with additional layers of ink to create greater depth, movement, and life on a flat surface. I’ll be anxious to share this new combination of encaustic and inks in person rather than on the internet and am looking forward to the summer art season.

Posted in alcohol ink, art festivals, color, encaustic, exhibitions, landscape, nature, teacher, yupo and tagged , , , , , , , ,

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